Anna Savva stars in THE WEDDING PARTY at the Ohrid Festival, Macedonia. August 15 at 9pm.
Latest News
Learn more about The Secret Listeners online
You can also hear Jason Solomon talking to Julia Pascal as well as 93-year-old Fritz Lustig who was one of the real’Secret Listeners’ on the latest edition of the Sounds Jewish Podcast from The Guardian
Listen to Julia Pascal on the Sounds Jewish Podcast on guardian.co.uk
The Secret Listener website is now live and features booking information, a video and a blog about the development of the show. http://www.secretlisteners.com/
THE SECRET LISTENERS
2012 News
New work is happening at a site-specific performance at Trent Park on July 22.
The Secret Listeners is supported by the Heritage Lottery Fund.
It is about the German Generals who were imprisoned in Trent Park during WW2 and who were listened to by German Jewish men and women working for the British government.
Watch this space for more news.
NEW WORK IN 2011
HONEYPOT a new play by Julia Pascal premieres at The New Diorama Theatre October 11-30 2011. Set in Sweden, Israel and France, this new play explores one woman’s journey into the underworld of Mossad during the Israeli revenge killings after the Munich Olympic Games murders.
Cast includes Jessica Claire and Paul Herzberg.
Directed by Orly Rabinyan.
Designed by Claire Lyth.
Lighting Design by Jessica Faulks.
Sound Design by Dan Hunt.
Press Officer Anne Mayer.
www.newdiorama.com
A staged reading of Pascal’s play THE RETURN is at The Jewish Museum November 13. This has been funded by the European Association for Jewish Culture.
EDUCATION 2011
Gay and Lesbian Drama Workshops and Performance!
A Pascal Theatre Company project
in association with The Drill Hall
staying OUT late
An invitation to older LGBT people living in Camden to participate in free workshops
Philip Osment and Clare Summerskill will be running free workshops in January and February. These will provide an opportunity for you to contribute your thoughts/experiences, hopes and fears about care and ageing, to have a say in the debate and help to change attitudes.
Material from the workshops will be used to develop scenes and songs for a piece of theatre.
The dates are:
22 & 29 January 2011
5, 12, 19 & 26 February 2011
All Saturdays 1pm–4pm
To book a free place, contact Ags Irwin on
07860 248376 or member@agsirwin.freeserve.co.uk
Funded by the Emanuel Vincent Harris Trust and The Lottery.
16 Chenies Street
London WC1E 7EX
drillhall.co.uk
PERFORMANCES are March 31 at 2.30pm and 7.30pm.
Booking from The Drill Hall Box Office. www.drillhall.co.uk
New York Times Review for The Dybbuk in New York
View the review on the New York Times website here.
“The Dybbuk,” the 1914 play written by S. Ansky that is a pre-eminent work of Yiddish theater, dramatizes the Ashkenazi Jewish myth of a dislocated soul that inhabits a living person. Ansky’s play itself has something of a shape-shifting spirit, revised many times for the stage, film, dance and even opera. In revisiting the story, the English playwright and director Julia Pascal, who has often mined Jewish themes for their universality, has framed it in the context of the Holocaust, powerfully elevating a folk tale to an existential meditation.
First performed in London in 1992, Ms. Pascal’s “Dybbuk” toured widely in Europe but hasn’t been performed in the United States until now, as part of a new four-week Dream Up Festival at the Theater for the New City.
In this exceptional rendering a dybbuk’s essence is simplified. It is the soul of a person who has died too early, and the play opens with a monologue by Judith (Juliet Dante), a contemporary British Jew describing a trip to Germany. Unable to shake her thoughts of the generations lost to the Nazis, Judith is haunted by the faces she sees in dreams — her own dybbuks.
The scene changes to a wartime ghetto, and Judith becomes one of five Jews living in too-close quarters on little more than fear and memories. When not imagining banquets to feast on, the five — none terribly religious — obsess over what has befallen them. But as the play notes, it doesn’t matter how you define yourself when others are hijacking your identity for their own purposes. Eventually the group unifies culturally, chanting Kaddish, the mourning prayer, and acting out parts of Ansky’s tale, including a vivid dance of possession.
This production, directed by Ms. Pascal and designed by Thomas Kampe, makes ingenious use of simple props like blankets and ladders to convey the debased poverty of the ghetto, the customs of Ansky’s shtetl life, even the grinding forces that confront these souls. The cast members all handle multiple roles unflappably yet with urgency, giving numerous characters colorings of their own.
“Dybbuk” builds to a remarkable climax, with layers of sounds — the barking of orders, the chugging of trains — punctuating a trip to the death camps. To the swelling strains of Mozart’s Requiem, the ensemble depicts dozens of passengers, gaunt and ravaged, disembarking to meet their doom. Well after the play ends, this harrowing image holds fast.
New York Rehearsals For The Dybbuk
The Dybbuk in New York
The Dybbuk is having its US professional premiere at New York’s The Theater for the New City, 10-25 August where it will be part of the Dream Up Festival.
The performances take place at 7pm weekdays and 2pm Saturdays.
Written and Directed by Julia Pascal,
Design and Movement Direction: Thomas Kampe.
Cast:
Juliet Dante
Stefan Karsberg
Adi Lerer
Simeon Perlin
Anna Savva