Free Drama Workshop: Staging Sephardi Heritage, 16 June 2019

Discovering & Documenting England’s Lost Jews is a huge adventure into mapping different histories and finding connections. Using these discoveries we are creating a site-responsive performance, One Lost Stone, that will premiere on 22 September 2019 at Novo Cemetery, in the grounds of Queen Mary University of London, Mile End campus. And on 16 June, we are running a free drama workshop that will help originate this new work, and we would like to invite you to join us.

So, what are we discovering? Julia Pascal, Pascal Theatre Company’s Artistic Director, and her team of researchers, have been trawling through seventeenth century documents to read about Jews fleeing conversion in Spain and Portugal, and about Jews being burnt at the stake as heretics to the Christian faith. It is a bloody story, but it is not just a Jewish one. It tells us about Catholic Spain and Portugal and how the power of the Inquisition was a terrible force which meant that Jews were displaced all over the world. The English story comes in to play when Rabbi Menasseh ben Israel approaches Oliver Cromwell in his plea for the re-admittance of the Jews. Officially, England had no Jews after 1290 as England was the first European country to expel them.

“I have been excited to discover that the English Revolution of 1656, when the Republic began, was also the moment when Jews were being thought of as new immigrants.”

Julia

We are discovering the wealth of that Jewish experience that trickled into England from 1492. The languages of Ladino and Portuguese were the cultures of these Jews. Their survival in London is charted, and we have stories and names that reveal this amazing history. 

Our workshop on 16 June will be exploring some of the major figures of the story. Who knew that Licoricia was a major funder of royalty in the thirteenth century and one of the richest women in Winchester? There are many characters to explore in the workshop which will be revealing some of the great debates of philosopher Baruch Spinoza and Moses Maimonides. 

Using drama and movement techniques, Thomas Kampe will lead participants in playfully revealing the histories and stories we’ve uncovered. In experimenting with staging Sephardi heritage, participants will not only gain historical knowledge but also learn enjoyable ways to create new text and storytelling using this kind of source material. They can also take part in the journey towards using the workshop as inspiration for our site-responsive performance on 22 September 2019.

The workshop is FREE and open to all ages (although not suitable for the very young), backgrounds and abilities. For more information and to book your place go to our Eventbrite page.

Blueprint Medea by Julia Pascal, Finborough Theatre 21 May – 8 June 2019

The world premiere

Tuesday, 21 May – Saturday, 8 June 2019.

“If I am a virgin. If the enemy catch me. You know what they will do…”

Kurdish freedom fighter Medea escapes the Turkish military and arrives at UK Border Control on a forged passport. Slipping through immigration, Medea discovers how to exist on the margins of London life. Working illegally as a cleaner in a gym, she meets Jason-Mohammed, the son of Iraqi immigrants. Their attraction results in the birth of twin boys. Medea believes that she has finally found a new home, a new family and a new life.

 

But when Jason-Mohammed’s father decides that his son must marry Glauke, an Iraqi cousin, Medea realises that she will lose both her sons and her safe haven in the UK. 

 

As her whole world falls apart, she is forced to accept that she has nothing to lose by revenging herself – destroying the lives who those who have betrayed her and keeping her sons’ spirits with her forever… 

Based on interviews with Kurdish fighters living in the UK, and written and directed by the first woman ever to direct at the National Theatre, Blueprint Medea is an award-winning new drama loosely inspired by Euripides’ Medea, which connects the classical to the contemporary to explore eternal questions of passion, war, cultural identity, women’s freedom, sex, family and love. 

Tuesday to Saturday Evenings at 7.30pm.
Saturday and Sunday matinees at 3.00pm.

Finborough Theatre
118 Finborough Road
London
SW10 9ED

Written and Directed by Julia Pascal

Designed by Kati Hind

Presented by Pascal Theatre Company in association with Neil McPherson for the Finborough Theatre.

Sponsored by

Actors : Amanda Maud, Ruth D’Silva, Tiran Aakel, Shaniaz Hama Ali, Max Rinehart.

Designer : Kati Hind.

Video & Photos : Yaron Lapid

Announcing Discovering and Documenting England’s Lost Jews

A word from Julia Pascal, Artistic Director of Pascal Theatre Company:

I am delighted to announce that Pascal Theatre Company has been successful in securing funding from the Heritage Lottery Fund for our new project:

DISCOVERING AND DOCUMENTING ENGLAND’S LOST JEWS

I am a playwright and theatre director who is fascinated by how we view national and international narratives about ourselves and our family histories.

Sephardi Jewish couple from Sarajevo in traditional clothing. Photo taken in 1900.

Sephardi Jews left Spain and Portugal to find refuge around the Mediterranean basin, including in the Ottoman Empire. They settled and lived for centuries in the countries we now know as Morocco, Algeria, Italy, Turkey, Greece, Serbia, Bosnia and Bulgaria. Most of them absorbed the local culture and lived with a double heritage.

Part of the excitement of our journey is learning about how these different waves of displacement influenced English life over the centuries and also today. This includes the experience of Jews who came from Arab countries where many lived peacefully alongside Muslims. As well as examining the Cromwellian and post Republican English history, the project will look at new immigrants – Jews arriving with elements of Arabic cultures in their histories.

I invite you to come with us.

There are many ways in which you can get involved:

On the 20th, 27th January and 3rd February we are running free morning drama workshops at Bevis Marks synagogue exploring three different aspects of Sephardi history and culture. The workshops include a tour of the synagogue. You can find out more information and book your tickets on our workshop page. Tickets are limited so book quickly.

We will also be looking for volunteers to help us document Sephardi oral histories and to participate in a site-specific public installation at the Novo Cemetery, London. This installation will be the premiere of a new work written by me and others involved in the initiative as a response to the stories and histories we’ve uncovered. Sign up to our mailing list to ensure you’re first with the news on how to get involved.

During our September installation, we are inviting four speakers to explore their varied experience of this little known history.

For more information visit our website: www.lostjews.org.uk, sign up to the mailing list, follow us on social media and through #LostJews, or contact Pascal Theatre Company on pascaltheatrecompany@gmail.com.

I look forward to sharing what we uncover.

Julia

Crossing Jerusalem Actor Profile: Waleed Elgadi

Waleed Elgadi as YUSUF KHALLIL

Welcome to an eight part interview series featuring the cast members of Crossing Jerusalem.  Check back daily for the next installment.

Introduce yourself and tell us about your character in Crossing Jerusalem.

My name is Waleed Elgadi and I play Yusuf Khallilin Crossing Jerusalem.

To describe him he is the acting patriarch of the Khallil family.  He is the only source of income for the family as his father is sick and elderly, and he tries to be the guiding figure for his younger brother. As the play progresses, Yusuf discovers that the other family in the play were the employers of his father when he was a young child.  He’s quite an aspirational person. He wants to be educated. He wants his brother, Sharif, to be educated. Yusuf has street smarts but has decided not to go down the same route as his brother. He is perhaps jaded by all the death he has seen and has decided to play the role of the dutiful son. He therefore does things very much by the book and can sometimes see the world only in black or white.  He doesn’t see violence or conflict as a solution to his living situation.

Besides being the eldest of 5 siblings, there is a 14 year age gap between your character and Sharif.  What kind of strain does that put on the relationship between the brothers?

I think Sharif, being the baby of the family, does adopt him as a father figure. One of the great tragedies for these two is that Yusuf takes the stance of an authoritative figure instead of being a friend to his younger brother. He tries too hard to be the father, mother, everything for Sharif and consequently comes off as ancient in Sharif’s eyes. With Sharif full of the anger or hot headedness of youth Yusuf becomes a stereotype to him, someone he can’t relate to.

How are rehearsals going so far?

It’s been a really fun process so far.  Everything’s been going very well, I don’t want to jinx it! Its a luxury having a director that’s also the writer in the room. Often, when the writer isn’t present, you’re scared as an actor to change the words because you don’t want to cause offense. We can discuss topics, the process is open and free and we’re allowed to experiment. From the table read it was obvious that we were in a good place.  Everyone came with a solid bag of tricks and knew what they were doing and had a good idea of who the characters are. I think Julia Pascal has a great cast but then again I’m biased!

The big question, why should people come see Crossing Jerusalem?

You should come because it’s more than a piece of theatre about the Israeli – Palestinian conflict.  It’s about families, about dysfunction, about how one lives within the backdrop of this conflict.  It’s a great piece of drama but it also has some comedic parts to it.  There are a couple of characters that are very funny and we’ll have some laugh out loud moments throughout the piece.  But you should come see it because it’s a really good piece of writing.  It’s a passionate play which is quite indicative of the region.

Crossing Jerusalem – Written and Directed by Julia Pascal

Synopsis: Set during the 2002 intifada, and just before the invasion of Iraq, Crossing Jerusalem is a potent and dynamic exploration of the theatre of war. The play describes 24 hours in the life of an Israeli family who cross Jerusalem to eat in an Arab village. In the course of a single day Arab and Jewish histories burst into the present in the most politically tense city in the world.

Venue & Address: Park Theatre, Clifton Terrace, Finsbury Park, London N4 3JP
Telephone booking number: 020 7870 6876
Booking website: www.parktheatre.co.uk
Direct link to book tickets online click here

Opening and closing dates: Dates: Tues 4 August – Sat 29 August 2015 (Preview 4th and 5th August)
Times: 7.45pm Tues – Sat / Thu & Sat Matinees 3.15pm
Prices: £12.50 Previews / £18 Full / £15 Concessions /
£12.50 Tuesdays Residents with N.London postcode or Under 25s

Crossing Jerusalem Actor Profile: Alistair Toovey

Alistair Toovey as SHARIF KHALLIL
Alistair Toovey as SHARIF KHALLIL

Welcome to an eight part interview series featuring the cast members of Crossing Jerusalem.  Check back daily for the next installment.

Introduce yourself and tell us about your character in Crossing Jerusalem.

My name is Alistair Toovey and I’m playing Sharif Khallil.  He is the younger brother of Yusuf.  In the play we see him battling with moral issues, against his brother, and against different generations in the play about what he thinks is right and wrong.

Can you elaborate more about the generation gap between you and your brother in the play and how that affects the events of the story?

I think the generation gap isn’t an issue until the play, so before the play I don’t know whether it was too much of a problem.  On this day, when the play takes place over 24 hours, it suddenly is an issue since his brother can’t understand.  He’s not one of the guys, one of the kids, not on the streets; you don’t know what it’s like because Yusuf is old.  I say to Sammy, the restaurant owner, “You’re old, you’re wrinkled, and my friend that just died will never grow old enough to grow a beard.  How can you possibly understand?”  It’s his naivetivity and his tragedy.

Can you relate to your character at all?

Yeah.  Maybe as a teenager around 16, hearing advice from older people and just not taking it in.  With it going way over your head because you just don’t think they understand, but they have been in the same or similar situation.

How are rehearsals going with Julia Pascal so far?

She’s really great.  Julia is the writer and director.  It’s a great mix.  I love digging into the text and finding as much as I can, and even when you get to a point where you’re stuck, it’s a gift to be able to turn to her and ask, “What were you thinking at this point?  Am I on the right track of discovering something?” She can point you on the right track.  It’s great.

Why should people see Crossing Jerusalem?

People should see Crossing Jerusalem because it’s rare that you find a piece that was written in 2002 that’s even more important and prevalent today than it was then.  Maybe not more important but nothing has changed.  If not, things have gotten worse.  This play doesn’t pick sides.  There’s no ‘Pro’ this side or that, or in a religious context, it’s a completely even debate.  It’s fascinating and enlightening.

 

CJFront700x700

 

Crossing Jerusalem – Written and Directed by Julia Pascal

Synopsis:  Set during the 2002 intifada, and just before the invasion of Iraq, Crossing Jerusalem is a potent and dynamic exploration of the theatre of war. The play describes 24 hours in the life of an Israeli family who cross Jerusalem to eat in an Arab village. In the course of a single day Arab and Jewish histories burst into the present in the most politically tense city in the world.

Venue & Address: Park Theatre, Clifton Terrace, Finsbury Park, London N4 3JP
Telephone booking number: 020 7870 6876
Booking website: www.parktheatre.co.uk
Direct link to book tickets online click here

Opening and closing dates: Dates: Tues 4 August – Sat 29 August 2015 (Preview 4th and 5th August)
Times: 7.45pm Tues – Sat / Thu & Sat Matinees 3.15pm
Prices: £12.50 Previews / £18 Full / £15 Concessions /
£12.50 Tuesdays Residents with N.London postcode or Under 25s

Introducing The Cast Of Crossing Jerusalem

 

 

CJ POSTER Front

Ladies and gentlemen, the cast of Crossing Jerusalem.  Check back daily for a different featured profile of each cast member, leading up to the first night of previews at Park Theatre on Tuesday, August 4th.

For tickets and information:

https://www.parktheatre.co.uk/whats-on/crossing-jerusalem

Below is the full cast.

Louisa Clein as LIORA (LEE) KAUFMANN
Louisa Clein as LIORA (LEE) KAUFMANN
Waleed Elgadi as YUSUF KHALLIL
Waleed Elgadi as YUSUF KHALLIL
Adi Lerer as YAEL KAUFMANN
Adi Lerer as YAEL KAUFMANN
Andy Lucas as SAMMY
Andy Lucas as SAMMY
David Ricardo-Pearce as GIDEON KAUFMANN
David Ricardo-Pearce as GIDEON KAUFMANN
Chris Spyrides as SERGE GOLDSTEIN
Chris Spyrides as SERGE GOLDSTEIN
Alistair Toovey as SHARIF KHALLIL
Alistair Toovey as SHARIF KHALLIL
Trudy Weiss as VARDA KAUFMANN GOLDSTEIN
Trudy Weiss as VARDA KAUFMANN GOLDSTEIN

CJ POSTER Back

Crossing Jerusalem at The Park Theatre 4-29 August 2015

by Julia Pascal

Park Theatre, Clifton Terrace, Finsbury Park, London N4 3JP

Previews: 4 Aug 2015
Press Night: 5 Aug 2015 (7pm)
Plays until: 29 Aug 2015

Performances
Tue – Sat Evenings 19.45
Thu & Sat Matinees 15.15

Jerusalem at the height of the last intifada. A wife wants to celebrate her 30th birthday. A husband does not want to have a son. A businesswoman wants to sell an apartment block.  A daughter wants to shock her mother. A brother wants to kill soldiers. A soldier wants to stop soldiering.  Israeli Jews, Arabs and Palestians all meet on one day as bombs explode.

TICKET AND INFORMATION  :
https://www.parktheatre.co.uk/whats-on/crossing-jerusalem

St Joan comes to London, for two nights only!

We are delighted to be able to bring our 5 star Edinburgh Fringe show to London, for two nights only!

St Joan

7th May 2015 to 8th May 2015 – 8.00pm

The Courtyard Theatre, Bowling Green Walk, 40 Pitfield Street, London N1 6EU
Liverpool St / Old Street / Shoreditch High St.

Price: £10, £8 Concession

Bookings & Info : www.thecourtyard.org.uk/whatson/565/st-joan

Facebook : www.facebook.com/stjoantheplay

St Joan Rides into Edinburgh Fringe

What happens when a Black Jewish Londoner dreams she is Joan of Arc? How can she overturn history? These are some of the tantalising questions behind Julia Pascal’s imaginative satire on nationalism.

Three women of different ages and ethnicities are Joan journeying back to medieval France, walking through nineteenth century Africa and shadowing the ghettoes of twentieth century Europe.

Can today’s Joan save a young Moroccan immigrant about to drown in the Seine?

St Joan is at  the Bedlam Theatre, Venue 49, 11b Bristo Place Edinburgh EH1 1EZ

2nd – 24th August 2014 at 16:30. Show length 60 minutes.

 

About the Production:

Pascal Theatre Company, ManyTracks Inc. & Add2 Productions present St  Joan

Written by Julia Pascal. Directed by Katrin Hilbe.  Designed by Kati Hind.

This new collaboration from London/ Paris, Sheffield and New York brings together three experienced artists to explore history through women’s eyes.

Pascal Theatre Company, under Julia Pascal’s artistic direction, is a London-based Registered Charity. It has concentrated on New Writing since 1985. With BBC Children In Need funding, it also works with disadvantaged young people. Projects use theatre, film, site specific performance and training. Over the past ten years the Company produced three major Heritage Lottery-funded projects.St Joan marks Pascal Theatre Company’s Edinburgh Festival debut.

ManyTracks Inc. was established in 2009 and founded by Katrin Hilbe. New York-based it is focused on engaging, mind-provoking theatre that values asking questions over providing answers. ManyTracks presented the five star winner Breaking the Silence at the 2013 Edinburgh Festival and is keen to return with St Joan to build on last year’s success.

Add2 Productions is a new venture headed by Kati Hind. The Company  collaborates with other artists to produce top quality, ground-breaking theatre.  St Joan is its first production  and has been selected by Add2  because it  unites complex textual elements, chorus- based work and highly physical performances. St Joan will be staged in an abstract world of steel to create the rough and exciting journey Joan makes from stake to horse!

Tickets:  www.edfringe.com or from the venue box office  0131 629 0430.

Press Enquiries to Janey Klein 020 7383 0920

More information on the play : www.stjoantheplay.com
St Joan’s email     info@stjoantheplay.com

Follow us on twitter
@stjoantheplay

Facebook                                                                                                                            https://www.facebook.com/stjoantheplay.

Venue
www.bedlamfringe.co.uk
info@bedlamtheatre.co.uk

PASCAL THEATRE COMPANY
www.pascal-theatre.com
35 Flaxman Court
Flaxman Terrace
London WC1H 9AR
Registered Charity 291910

Nineveh

Nineveh, a new play by Julia Pascal and directed by Ailin Conant opens at Riverside Studios, April 16-May 11 2013
Presented by Theatre Témoin.
Once there was a boy. The war had taken his hands and arms. When he went home, his family didn’t recognise him. “You have no arms”, they said, “you are not our son”. They threw him into the river, where a giant fish swallowed him…
Three former soldiers are trapped in a whale. When a boy from another war zone arrives, they are forced to deal with their own pasts.

Inspired by true stories told by child soldiers and ex-combatants from across the world; collected by Ailin Conant during a year of creative work in Kashmir, Israel, Lebanon, and Rwanda.

RUNNING TIME

60 minutes with no interval.

New York Times Review for The Dybbuk in New York

View the review on the New York Times website here.

“The Dybbuk,” the 1914 play written by S. Ansky that is a pre-eminent work of Yiddish theater, dramatizes the Ashkenazi Jewish myth of a dislocated soul that inhabits a living person. Ansky’s play itself has something of a shape-shifting spirit, revised many times for the stage, film, dance and even opera. In revisiting the story, the English playwright and director Julia Pascal, who has often mined Jewish themes for their universality, has framed it in the context of the Holocaust, powerfully elevating a folk tale to an existential meditation.

First performed in London in 1992, Ms. Pascal’s “Dybbuk” toured widely in Europe but hasn’t been performed in the United States until now, as part of a new four-week Dream Up Festival at the Theater for the New City.

In this exceptional rendering a dybbuk’s essence is simplified. It is the soul of a person who has died too early, and the play opens with a monologue by Judith (Juliet Dante), a contemporary British Jew describing a trip to Germany. Unable to shake her thoughts of the generations lost to the Nazis, Judith is haunted by the faces she sees in dreams — her own dybbuks.

The scene changes to a wartime ghetto, and Judith becomes one of five Jews living in too-close quarters on little more than fear and memories. When not imagining banquets to feast on, the five — none terribly religious — obsess over what has befallen them. But as the play notes, it doesn’t matter how you define yourself when others are hijacking your identity for their own purposes. Eventually the group unifies culturally, chanting Kaddish, the mourning prayer, and acting out parts of Ansky’s tale, including a vivid dance of possession.

This production, directed by Ms. Pascal and designed by Thomas Kampe, makes ingenious use of simple props like blankets and ladders to convey the debased poverty of the ghetto, the customs of Ansky’s shtetl life, even the grinding forces that confront these souls. The cast members all handle multiple roles unflappably yet with urgency, giving numerous characters colorings of their own.

“Dybbuk” builds to a remarkable climax, with layers of sounds — the barking of orders, the chugging of trains — punctuating a trip to the death camps. To the swelling strains of Mozart’s Requiem, the ensemble depicts dozens of passengers, gaunt and ravaged, disembarking to meet their doom. Well after the play ends, this harrowing image holds fast.

The Dybbuk in New York

The Dybbuk is having its US professional premiere at New York’s The Theater for the New City, 10-25 August where it will be part of the Dream Up Festival.

The performances take place at 7pm weekdays and 2pm Saturdays.

Written and Directed by Julia Pascal,
Design and Movement Direction: Thomas Kampe.

Cast:
Juliet Dante
Stefan Karsberg
Adi Lerer
Simeon Perlin
Anna Savva